So you may or may not have heard about the Reverse Thieves’ festive anime Secret Santa project, dependent on how active you are in the anime blogosphere. You’re given a random blogger’s personal anime tastes (usually via a rated anime list of sorts) and need to suggest three new shows for them to watch, while the same happens for you. It’s a fantastic idea, as it removes the painful part of finding existing anime to watch. A curt 50 word description often isn’t enough to decide if a show will be worth it, so why not leave the decision to someone who has (hopefully) already seen it and is assured of its quality. Or terribleness. Either way, its entertainment.
I really lucked out with my choices, as they mostly weren’t series I had on the backlog, but were still interesting after reading their descriptions. I’ve had the time to watch my first choice, Manabi Straight, a gorgeously stylish show that’s moe for moe’s sake, with the best opening titles of an anime I’ve seen in a while. Unfortunately, I haven’t had time to watch my second choice, Full Metal Panic: The Second Raid, but it’s a credit to my Santa that he/she read my taste incredibly well. The focus of this review is my third choice, Shigofumi: Letters From The Departed. It’s relatively recent, having aired during the Winter 2007-08 season, but had still completely passed me by.
The basic premise of the series follows our protagonist Fumika, as she and her lippy but earnest magical staff Kanaka travel around the city delivering shigofumi, letters from the dead sent to the living as a last testament of sorts. Just from hearing that alone, the show has a lot of scope in what it can do, but is essentially relegated to an X-of-the-week format, where this time X equals “letter from dead person”. The only common factor you can really develop over the course of a 12 episode series is the main character herself, so her story sure as hell better be good.
The show does manage to overcome the repetition of the X-of-the-week format – each letter is too engrossing and the show mixes up the “get letter, transport letter, deliver letter, end credits” format throughout the series. Fumika’s story I believe is a different matter.
The first few episodes are extremely promising. The first story involves Shouta, his quest to build a rocket and Asuna, a girl he befriends while doing so. Needless to say, Asuna’s closet has many skeletons, and the episodes descend further into tragedy with every passing minute. We find she’s been “helping” her father produce child porn, who then wants to bring her little sister into the picture. The show certainly doesn’t shy away from showcasing the dredges of human society, and is all the more watchable for it, though it does bash the viewer with tragedy so much it manages to lose its meaning sometimes. Fumika’s take on events is fairly refreshing in that she sees the world through ruthlessly unclouded, emotionless eyes.