The last time I wrote about Aria, I had only just heard of the series with the latest (and last) anime series Aria the Origination. Since then, I’ve collected all possible volumes of both manga series, Aqua and its sequel Aria, released in the UK, as well as Kozue Amano’s wonderful Illustration Works art books. Knowing this, you probably won’t be surprised to hear my opinion on the series.
To those unfamiliar with Aria, we follow the story of Akari Mizunashi, a resident of Manhome (previously known as Earth) who has come to the water planet Aqua, known as Mars before its near complete terraforming. Specifically, she’s travelled to the city of Neo-Venezia, made in the image of the long-since flooded Italian city of Venice, to become an undine – a gondolier tourist guide on the expansive waterways of the city. What follows is Akari’s slow and steady progression as an undine, the people of the town she meets and befriends and the general wonderment of Akari’s “beautiful miracles.”
I would say that any expectations about Aria from someone who hasn’t heard of slice of life or healing-type stories would quite quickly be shattered, but Aria would never shatter anything – it’s far too peaceful for that kind of verb. After Akari’s initial acceptance as an apprentice of Aria Company, we settle down into a series of chapters showing her everyday life in Neo-Venezia, as well as introducing characters from other undine companies in the city.